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Fichte: Proof of the Unlawfulness of Reprinting, Berlin (1793)

Source:
Berlinische Monatschrift (1793), 443-482

Citation:
Fichte: Proof of the Unlawfulness of Reprinting (1793), Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org

Record Images Commentary


Record-ID:
d_1793

Full title
Proof of the Unlawfulness of Reprinting: A Rationale and a Parable. In: Berlinische Monatschrift (1793), 443-482

Full title original language
Beweis der Unrechtmäßigkeit des Büchernachdrucks. Ein Räsonnement und eine Parabel.

Abstract
This article by the philosopher Johann Gottlieb Fichte (1762-1814) is sometimes described as a foundational text of what is generally referred to as the distinction between idea and expression in copyright law. Fichte identifies the permanent feature of a book as "the form of the thoughts", the result of a two-fold abstraction: the intellectual part is abstracted from the physical part; and, then, within this intellectual part "the form of the thoughts" is abstracted from the ideas. Hence there are three types of property in a book. The physical book as a full property is completely at the owner's disposal. The ideas, after being shared with the public, become a common property of the author and his readers. But the abstract form necessarily remains the author's property, because it is "physically impossible" for this to be appropriated by another person. The commentary focuses on the late eighteenth-century discussion that Fichte was contributing to and on the impact of Fichte's theory on nineteenth-century German copyright.

Bibliography
Borghi, Maurizio, "Owning Form, Sharing Content: Natural-Right Copyright and Digital Environment", in Fiona MacMillan (ed.), "New Directions in Copyright Law" (Edward Elgar Publishing: Cheltenham, 2007), 5: 197-222
Kretschmer, Martin and Friedemann Kawohl, "Johann Gottlieb Fichte, and the trap of Inhalt (content) and form: An information perspective on music copyright", in "Information, Communication & Society" (forthcoming)
Kretschmer, Martin and Friedemann Kawohl, "The History and Philosophy of Copyright", in Simon Frith and Lee Marshall (eds), "Music and Copyright" (Edinburgh U.P., 2004), 21-53
Woodmansee, Martha, "The Genius and the Copyright: Economic and Legal Conditions of the Emergence of the 'Author'", "Eighteenth Century Studies" 17, nr 4 (1984): 425-448

Related documents in this database

Author
Fichte, Johann Gottlieb (1762-1814)

Publisher
Haude and Spener

Location
Berlin

Year
1793

Language
German

Source
Berlinische Monatschrift (1793), 443-482

Physical description
N/A

Illustrations tables
N/A

Persons referred to
Correggio, Antonio Allegri da (c.1494-1534)
Fichte, Johann Gottlieb (1762-1814)
Joseph II (1741-1790)
Kant, Immanuel (1724-1804)
Knigge, Adolph Baron von (1752-1796)
Luther, Martin (1483-1546)
Müller, Johann Gottwerth (1743-1828)
Reimarus, Johann Albert Heinrich (1729-1814)
Schmieder, Christian Gottlieb (1750-1827)
Trattner, Johann Thomas von (1717-1798)

Persons referred to in commentary
Fichte, Johann Gottlieb (1762-1814)

Places referred to
Itzehoe
Königsberg

Places referred to in commentary
N/A

Legislation referred to
N/A

Legislation referred to in commentary
N/A

Cases referred to
N/A

Cases referred to in commentary
N/A

Institutions referred to
N/A

Institutions referred to in commentary
N/A

Key words
anthologies
attribute, obligation to
author/publisher relations
authors' remuneration
authorship, legal concept of
authorship, romantic concept of
authorship, theory of
Bible, the
contract
copying, concept of
editions, new
fraud
idea/expression
imitation
inventions
inventors
learning, the advancement of
libraries
natural rights
originality
piracy
plagiarism
privileges
property analogies
property theory, authors' property
public domain
public good
reprints
royalty/royalties
scholarly writing
scribal publication
transferability
translations, of classic works
unpublished works
utility

Responsible editor
Friedemann Kawohl




Copyright status

Original document is out of copyright. In so far as these scans are protected by copyright, they are made available on the same terms as translations and commentaries (see home page).




Primary Sources on Copyright (1450-1900), Faculty of Law, University of Cambridge, 10 West Road, Cambridge CB3 9DZ, UK