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Bluntschli: On Authors' Rights, Munich (1853)

Source:
Scanned from a copy held in the Frankfurt Max-Planck-Institut für Europäische Rechtsgeschichte.

Citation:
Bluntschli: On Authors' Rights (1853), Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org

Record Images Commentary


Record-ID:
d_1853a

Full title
On Authors' Rights, chapter 6 of "German Private Law" Vol. I

Full title original language
"Vom Autorrecht" Kapitel 6 aus "Deutsches Privatrecht"

Abstract
This chapter is the most extensive discussion of intellectual property by the famous Swiss jurist Johann Caspar Bluntschli (1808-1881). His earlier contributions in this field included the respective paragraphs in a draft for a Code Civil for the Canton of Zurich and a review of treatises by Renouard, Jolly, Muquardt and Villefort. Bluntschli's concept of a "natural relationship" between author and work "just as between creator and creature" foreshadows the focus on the author's "intellectual and personal relationship with his work" as defined in contemporary German copyright. The "work" is regarded as a "revelation and expression" of the author's "personal intellect", whereas the "property value" (Vermögenswert) is a secondary aspect. Reprinting, even if no financial loss is caused, constitutes a "violation of the author's rights, since no one has the right to make the author speak to the public against his will, that is, to expose a part of his personality, his name, and his reputation as an author to the community". Bluntschli's approach to author's rights is regarded as one of the main sources of the personalistic view on intellectual property which developed within the German tradition.

Bibliography
Jänich, Volker, "Geistiges Eigentum" (Tübingen: Mohr Siebeck, 2002)
Vogel, Martin, "Urheberpersönlichkeitsrecht und Verlagsrecht im letzten Drittel des 19. Jahrhunderts", "GRUR" (= "Gewerblicher Rechtsschutz und Urheberrecht") (1994): 587-593

Related documents in this database

Author
Johann Kaspar Bluntschli

Publisher
Literarisch-artistische Anstalt

Location
Munich

Year
1853

Language
German

Source
Scanned from a copy held in the Frankfurt Max-Planck-Institut für Europäische Rechtsgeschichte.

Physical description
N/A

Illustrations tables
N/A

Persons referred to
Bluntschli, Johann Kaspar (1808-1881)
Grimm, Jacob Ludwig Carl (1785-1863)
Grimm, Wilhelm Carl (1786-1859)
Guyot, Pierre Jean Jacques Guillaume (1719-1784)
Jolly, Julius (1823-1891)
Kant, Immanuel (1724-1804)
Laboulaye, Édouard René de (1811-1883)
Merlin, Philippe-Antoine (1778-1854)
Mittermaier, Karl Joseph Anton von (1787-1867)
Pardessus, Jean-Marie (1772-1853)
Renouard, Augustin-Charles (1794-1878)

Persons referred to in commentary
Bluntschli, Johann Kaspar (1808-1881)
Jolly, Julius (1823-1891)
Muquardt, Charles (fl.1851-1860)
Renouard, Augustin-Charles (1794-1878)
Villefort, Charles (1820-1887)

Places referred to
N/A

Places referred to in commentary
Heidelberg
Munich
Zurich

Legislation referred to
Parisian Book Trade Regulations 1618
Statute of Anne, 1710, 8 Anne, c.19
Copyright Act, 1814, 54 Geo.III, c.156
U.S. Copyright Act 1831, 21st Cong., 2d Sess., 4 Stat. 436
Prussian Copyright Act 1837
Directive of reciprocal protection within the German Confederation (1837)
International Copyright Act, 1838, 1 & 2 Vict., c.59
Bavarian Copyright Act 1840
German federal directive (22 April 1841), on performance rights
International Copyright Act, 1844, 7 & 8 Vict., c.12

Legislation referred to in commentary
German Copyright Act 1965

Cases referred to
N/A

Cases referred to in commentary
N/A

Institutions referred to
House of Lords
Nuremberg City Senate

Institutions referred to in commentary
N/A

Key words
abridgements
adaptation
anonymous works
anthologies
applied art, protected subject matter
authenticity
author/publisher relations
authorship, joint or collaborative
authorship, legal concept of
authorship, romantic concept of
authorship, theory of
books, protected subject matter
commissions
compilation
dramatic works, protected subject matter
dramatico-musical works, protected subject matter
drawings, protected subject matter
duration
duration, post mortem term
editions, new
engravings, protected subject matter
excluded subject matter
inheritability
letters
maps, protected subject matter
monopoly
moral rights, divulgation (first publication)
music, protected subject matter
newspapers
oral works, protected subject matter
originality
paintings, protected subject matter
penalties, paid to author(s)
penalties, paid to fiscal authorities
penalties, paid to publisher(s)
personality theory
privileges
property theory
public domain
public performance
reprints
reputation
royalty/royalties
scholarly writing
sculpture, protected subject matter
transferability
unpublished works

Responsible editor
Friedemann Kawohl




Copyright status

Original document is out of copyright. In so far as these scans are protected by copyright, they are made available on the same terms as translations and commentaries (see home page).




Primary Sources on Copyright (1450-1900), Faculty of Law, University of Cambridge, 10 West Road, Cambridge CB3 9DZ, UK