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![]() ![]() ![]() ![]() Core documents by: ![]() Date Place ![]() ![]() Core documents for: ![]() Italy Germany France Britain United States ![]() All documents for: ![]() Italy Germany France Britain United States ![]() Original language: ![]() English French German Italian Latin ![]() Browse documents by: ![]() Person ... by name ... by occupation ... by life dates Place Institution Legislation Case law ![]() Browse commentaries by: ![]() Person ... by name ... by occupation ... by life dates Place Institution Legislation Case law ![]() Browse database by: ![]() Key words ![]() ![]() Editors' login: ![]() | Decree on Sculptures, Paris (1676) Source: Bibliothèque nationale de France : Mss. Fr. 22119 n°60 Citation: Decree on Sculptures (1676), Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org Record Images Record-ID: f_1676 Full title Decree of the Council containing prohibitions on the copying and casting of works of sculpture from the Academy Full title original language Arrest du Conseil portant deffenses de copier & mouler les Ouvrages des Sculpteurs de l'Académie Abstract The Council of State decree of 21 June 1676 was the first in France to provide sculptors with a safeguard against the casting and counterfeiting of their works by others. The same protection was extended to painters on 28 June 1714. Thus, the royal provisions of 1676 have sometimes been interpreted as the first significant acknowledgement of artistic property. In reality, however, it was against a backdrop of intense rivalry between various guilds, headed by the Master Painters and Sculptors of the Académie de Saint-Luc, that the sculptors' perpetual monopoly was tied by this decree to the condition that their works had to bear the sign of the Royal Academy of Painting and Sculpture. Similarly, in 1714, the protection granted by the new decree was to benefit solely painters affiliated to the Royal Academy whose works it was henceforth forbidden to engrave or print without their permission. Bibliography N/A Related documents in this database Author N/A Publisher N/A Location Paris Year 1676 Language French Source Bibliothèque nationale de France : Mss. Fr. 22119 n°60 Physical description N/A Illustrations tables N/A Persons referred to Colbert, Jean Baptiste (1619-1683) Louis XIV (1638-1715) Ramet, M. (fl.1676) Silvain, M. (fl.1676) Persons referred to in commentary N/A Places referred to France Paris Places referred to in commentary N/A Legislation referred to French royal decree prohibiting the copying of sculptures (1676) Legislation referred to in commentary French royal decree prohibiting the copying of sculptures (1676) French royal decree on the fine arts (1714) Cases referred to N/A Cases referred to in commentary N/A Institutions referred to Chancery of France ('Grande Chancellerie') King's Council of State (France) Parisian Guild of Master Painters and Sculptors Royal Academy of Painting and Sculpture (Paris) Institutions referred to in commentary Académie de Saint-Luc (Paris) Parisian Guild of Master Painters and Sculptors Royal Academy of Painting and Sculpture (Paris) Key words counterfeit fraud moral rights, integrity penalties priviliges replica reputation sculpture, protected subject matter Responsible editor Frédéric Rideau Copyright status Original document is out of copyright. In so far as these scans are protected by copyright, they are made available on the same terms as translations and commentaries (see home page). | ||||||
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| Primary Sources on Copyright (1450-1900), Faculty of Law, University of Cambridge, 10 West Road, Cambridge CB3 9DZ, UK | |||||||