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![]() ![]() ![]() ![]() Core documents by: ![]() Date Place ![]() ![]() Core documents for: ![]() Italy Germany France Britain United States ![]() All documents for: ![]() Italy Germany France Britain United States ![]() Original language: ![]() English French German Italian Latin ![]() Browse documents by: ![]() Person ... by name ... by occupation ... by life dates Place Institution Legislation Case law ![]() Browse commentaries by: ![]() Person ... by name ... by occupation ... by life dates Place Institution Legislation Case law ![]() Browse database by: ![]() Key words ![]() ![]() Editors' login: ![]() | Morillot on the author's right, Paris (1878) Source: Bibliothèque universitaire de Poitiers (SCD) : Revue critique de législation et de jurisprudence, XXVIIe année, nouvelle série, tome VII Citation: Morillot on the author's right (1878), Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org Record Images Record-ID: f_1878 Full title On the Nature of the Author's Right, considered from a general perspective Full title original language De la nature du droit d'auteur, considéré à un point de vue général, par M. André Morillot. Abstract From the 1860s onwards monographs and articles by such French jurists as André Morillot (and also the older Alfred Bertauld writing on the same subject) helped, as is now widely recognised, to establish a more 'personalistic' notion of the author's right. Morillot, in particular, sought to clearly define the nature of the prerogatives accruing to the author by virtue of his creation, distinguishing between proprietary rights and others which were more personal or extra-proprietary. He even made use of the term "moral right", albeit still in a rather technical sense. This development was in part due to the influence of German legal theory, especially the ideas of Rudolf Klostermann. But it essentially also reflected a widespread desire amongst French jurists to come to a formal, technical recognition of the consequences of a more general conception dating from even further back - namely, that of the notionally indivisible nature of the bond tying the author to his work. Bibliography N/A Related documents in this database Author André Morillot (1849-1922) Publisher A. Cotillon Location Paris Year 1878 Language French Source Bibliothèque universitaire de Poitiers (SCD) : Revue critique de législation et de jurisprudence, XXVIIe année, nouvelle série, tome VII Physical description N/A Illustrations tables N/A Persons referred to Beseler, Karl Georg Christoph (1809-1888) Bluntschli, Johann Kaspar (1808-1881) Caillemer, Exupère (1837-1913) Dahn, Felix (1834-1912) Dambach, Otto (1831-1899) Dareste, Pierre (fl.1857-1866) Gerber, Karl Friedrich Wilhelm von (1823-1891) Harum, Johann Christian von (1737-1795) Klostermann, Rudolf (1828-1886) Mandry, Johann Gustav Karl von (1832-1902) Martial, Marcus Valerius Martialis (c.40-c.104) Morillot, André (1849-1922) Napoleon III (1808-1873) Neustetel, Leopold Josef (1798-1825) Pollux, Julius (fl.170) Wächter, Oscar von (1825-1902) Persons referred to in commentary Bertauld, Alred (1812-1882) Klostermann, Rudolf (1828-1886) Morillot, André (1849-1922) Places referred to Athens Douai Germany Italy Mexico Norway Rome Places referred to in commentary N/A Legislation referred to Code civil (Napoleonic code) 1804 French Literary and Artistic Property Act 1866 Italian Copyright Act 1865 Copyright Act for the German Empire 1870 Copyright Acts for the German Empire 1876 Norwegian law for the protection of literary property 1876 Legislation referred to in commentary N/A Cases referred to N/A Cases referred to in commentary N/A Institutions referred to Corps législatif (1852-1870) University of Paris (Sorbonne) Institutions referred to in commentary N/A Key words applied art, protected subject matter authorship, legal concept of authorship, romantic theory of authorship, theory of books, protected subject matter common law copyright copying, concept of counterfeit creativity drawings, protected subject matter duration fixation fraud idea/expression imitation imitation, learning by industrial revolution inheritability inventions inventors monopoly moral rights, attribution moral rights, divulgation (first publication) moral rights, theory music, protected subject matter paintings, protected subject matter patents, for invention perpetual protection personality theory photography, protected subject matter plagiarism privileges property theory property theory, authors' property public domain reputation scribal publication utilitarianism utility Responsible editor Frédéric Rideau Copyright status Original document is out of copyright. In so far as these scans are protected by copyright, they are made available on the same terms as translations and commentaries (see home page). | ||||||
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| Primary Sources on Copyright (1450-1900), Faculty of Law, University of Cambridge, 10 West Road, Cambridge CB3 9DZ, UK | |||||||