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Giovanni Fratta's "On the Dedication of Books", Venice (1590)

Source:
British Library 1072.h.25

Citation:
Giovanni Fratta's "On the Dedication of Books" (1590), Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org

Record Images


Record-ID:
i_1590

Full title
"On the dedication of books, with the correction of the abuse introduced in this matter. Dialogues by Sig. Giovanni Fratta, Veronese nobleman"

Full title original language
Della dedicatione de'libri, Con la Correction dell'Abuso, in questa materia introdotto. Dialoghi del Sig. Giovanni Fratta, Nobile Veronese.

Abstract
In his Dialogue "On the Dedication of Books" (1590) the Veronese lawyer and poet Giovanni Fratta, who was a friend of Torquato Tasso, develops his theory on how princes ought to be generous in their patronage of the writers who dedicated their works to them. The Dialogue starts with a survey of the historical origins of dedicatory inscriptions, going back to classical Antiquity, and then considers the abuses which in more recent times had come to mar this practice (such as excessive flattery on the part of authors). One of the interlocutors, Critone, argues that authors must not be moved by considerations of financial gain and attacks the invention of printing for having vulgarized literature. He defends the traditional view of authors as belonging to a disinterested, aristocratic élite. His opponent in the Dialogue, Francesco Porta, who is introduced as a printer with great practical experience, argues that authors are entitled to dedicate their books in the hope of obtaining legitimate remuneration for their work, just as lawyers and doctors charge fees from their clients. A third interlocutor, Eugenio, sides with Porta and praises the opening up of literary culture ushered in by the art of printing, which meant that everyone could now benefit from a book, not just its dedicatee. Eugenio, advocating a more modern concept of authorship, also argues that dedications of works should not merely consist of praises for the dedicatee but be addressed to the public as a whole. Fratta himself tried to live up to this concept in the dedication of his poem of 1592 "La Malteide" to Ranuccio Farnese, Duke of Parma and Piacenza, where he avoids praising this prince in too florid terms and puts his work in a historical context for the benefit of his readers. Although the Dialogue does not seem to have left much of an impression on Fratta's contemporaries, it is an important document reflecting changing attitudes towards the writer as courtier and the market opened up by printing.

Bibliography
Lucas, Corinne, "Vers une nouvelle image de l'écrivain: 'Della dedicatione de' libri' de Giovanni Fratta", in "L'écrivain face à son public en France et en Italie à la Renaissance", "Actes du colloque internationale de Tours", ed. by C.A. Fiorato and J.C. Margolin (Paris, 1989): 85-104
Richardson, Brian, "Printing, writers and readers in Renaissance Italy" (Cambridge: Cambridge University Press, 1999)
Santoro, Marco, "Contro l'abuso delle dediche. 'Della dedicatione de' libri' di Giovanni Fratta", in "Paratesto. Rivista internazionale" 1 (2004): 99-120

Related documents in this database

Author
Giovanni Fratta

Publisher
Giorgio Angelieri

Location
Venice

Year
1590

Language
Italian

Source
British Library 1072.h.25

Physical description
N/A

Illustrations tables
N/A

Persons referred to
Aelian (fl.220)
Alexander the Great (356 B.C.-323 B.C.)
Ambrogini, Angelo (1454-1494)
Anaxagoras (c.500 B.C.-428 B.C.)
Anaximander (c.611 B.C.-546 B.C.)
Anaximenes (d.c.500 B.C.)
Apellicon of Teos (d.c.84 B.C.)
Appian of Alexandria (c.95-c.165)
Aristippus (c.435 B.C.-360 B.C.)
Aristophanes (c.448 B.C.-c.388 B.C.)
Aretino, Leonardo (c.1369-1444)
Aristotle (384 B.C.-322 B.C.)
Arnigio, Bartolomeo (1523-1577)
Athenaeus (fl.200)
Attalus I, Soter (269 B.C.-197 B.C.)
Augustus, Gaius Julius Caesar Octavianus (63 B.C.-14 A.D.)
Baldi, Bernardino (1533-1617)
Batracus
Bembo, Pietro (1470-1547)
Borgofranco, Giovanni Battista da (fl.1543)
Brutus, Marcus Junius (85 B.C.-42 B.C.)
Calcondile, Demetrio (fl.1447)
Campana, Cesare (c.1540-1606)
Ceruti, Federico (1531-1611)
Cesarini, Giuliano (1398-1444)
Charles V of Habsburg (1500-1558)
Chiabrera, Gabriel (1552-1638)
Cicero, Marcus Tullius (106 B.C.-43 B.C.)
Cicero, Quintus Tullius (102 B.C.-43 B.C.)
Corio, Bernardino (1459-1510)
Dante Alighieri (1265-1321)
Dares of Phrygia
Demetrius Phalereus (c.350 B.C.-c.283 B.C.)
Demosthenes (384 B.C.-322 B.C.)
Dio Cassius (c.150-c.235)
Dioscorides, Pedanius (c.40-c.90)
Dolce, Lodovico (1508-1568)
Ennius, Quintus (239 B.C.-169 B.C.)
Epicles of Hermione
Este, Ercole, I d' (1431-1505)
Este, Ippolito, II d' (1509-1572)
Euripides (c.480 B.C.-406 B.C.)
Fabius, Quintus Fabius Maximus Allobrogicus (fl.121 B.C.)
Fracastoro, Girolamo (1483-1553)
Franco, Veronica (1546-1591)
Fratta, Giovanni (fl.1575-1611)
Frederick II of Germany (1194-1250)
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Gaius Herennius (fl.86 B.C.)
Galen (c.130-c.201)
Giovio, Paolo (1483-1552)
Giustiniani, Agostino (1470-1536)
Grégoire, Pierre (1540-c.1597)
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Guicciardini, Francesco (1483-1540)
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Ruscelli, Girolamo (c.1504-1566)
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Persons referred to in commentary
Farnese, Ranuccio I (1569-1622)
Fratta, Giovanni (fl.1575-1611)
Tasso, Torquato (1544-1595)

Places referred to
Alexandria
Asia
Athens
Bologna
Corinth
Egypt
Ephesus
Jerusalem
Mainz
Marathon
Naxos
Padua
Pergamon
Rome
Samos
Sicily
Venice
Verona
Vienna

Places referred to in commentary
N/A

Legislation referred to
N/A

Legislation referred to in commentary
N/A

Cases referred to
N/A

Cases referred to in commentary
N/A

Institutions referred to
Academia de Filarmonici, Verona
Library of Alexandria

Institutions referred to in commentary
N/A

Key words
authors' remuneration
censorship, pre-publication
classics, Greek and Latin
fraud
humanism
incentives
libraries
patronage
Renaissance, the
reputation
scribal publication
translations, of classic works

Responsible editor
Joanna Kostylo




Copyright status

(c) The British Library Board. All Rights Reserved, Licence No: 8716. Any copyright or database right that subsists in the Work or Reproduction remains the property either of the British Library Board or individual persons. The Work or Reproduction may not be used, sold, licensed, transferred, copied or reproduced in whole or in part in any manner or form or in or on any media to any person without the prior written consent of the British Library.

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Primary Sources on Copyright (1450-1900), Faculty of Law, University of Cambridge, 10 West Road, Cambridge CB3 9DZ, UK