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![]() ![]() ![]() ![]() Core documents by: ![]() Date Place ![]() ![]() Core documents for: ![]() Italy Germany France Britain United States ![]() All documents for: ![]() Italy Germany France Britain United States ![]() Original language: ![]() English French German Italian Latin ![]() Browse documents by: ![]() Person ... by name ... by occupation ... by life dates Place Institution Legislation Case law ![]() Browse commentaries by: ![]() Person ... by name ... by occupation ... by life dates Place Institution Legislation Case law ![]() Browse database by: ![]() Key words ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Editors' login: ![]() |
Introduction This is a digital archive of primary sources on copyright from the invention of the printing press (c. 1450) to the Berne Convention (1886) and beyond. The UK Arts and Humanities Research Council (AHRC) funded the initial phase focusing on key materials from Renaissance Italy (Venice, Rome), France, the German speaking countries, Britain and the United States. For each of these geographical zones/jurisdictions, a national editor has taken responsibility for selecting, sourcing, transcribing, translating and commenting documents. These include privileges, statutes, judicial decisions, contracts and materials relating to legislative history, but also contemporary letters, essays, treatises and artefacts. The national editors’ brief was to limit the selection to 50 core documents for Germany, France and Britain, and to 20 core documents for Italy and the US (these covering only a shorter period). However, the editors have sourced many more contextual documents which are fully catalogued, and linked to the core materials. Document selection has been scrutinized by an international advisory board. The five national editors are – Britain: Dr Ronan Deazley, University of Birmingham German speaking countries: Dr Friedemann Kawohl, Bournemouth University France: Dr Frédéric Rideau, Université de Poitiers Italy: Dr Joanna Kostylo, University of Cambridge United States: Dr Oren Bracha, University of Texas The database and website have been designed by Karin Hoehne of Universität Köln, based on the open source Kleio system developed at the HKI Institute (Professor Manfred Thaller). http://www.hki.uni-koeln.de Following the official launch of the project at Stationers’ Hall in London on 19 March 2008, the URLs for the documents in the archive are permanent. Please cite this resource as: Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org Professor Lionel Bently, University of Cambridge Professor Martin Kretschmer, Bournemouth University General Editors, Primary Sources on Copyright ![]() System requirements: Wherever possible, we have used open standards. Navigation and image features will work best with an up-to-date open source browser, such as Firefox. The time line interface above requires a Java plug-in, but all documents can also be accessed by navigating from the left hand side of this page. | ||||||
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Primary Sources on Copyright (1450-1900), Faculty of Law, University of Cambridge, 10 West Road, Cambridge CB3 9DZ, UK
Copyright statement You may copy and distribute the translations and commentaries in this resource, or parts of such translations and commentaries, in any medium, for non-commercial purposes as long as the authorship of the commentaries and translations is acknowledged, and you indicate the source as Bently & Kretschmer (eds), Primary Sources on Copyright (1450-1900) (www.copyrighthistory.org). You may not publish these documents for any commercial purposes, including charging a fee for providing access to these documents via a network. This licence does not affect your statutory rights of fair dealing. Although the original documents in this database are in the public domain, we are unable to grant you the right to reproduce or duplicate some of these documents in so far as the images or scans are protected by copyright or we have only been able to reproduce them here by giving contractual undertakings. For the status of any particular images, please consult the information relating to copyright in the bibliographic records. | |||||||