International Copyright Bill, London (1886)

Source: ProQuest: Parliamentary Papers (1886) Paper No.156, II.539

International Copyright Bill, London (1886), Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer,

Back | Record | Images | No Commentaries
Record-ID: uk_1886a

Permanent link:

Full title:
Bill to amend Law respecting International and Colonial Copyright, 1886, Paper No.156, II, 539

Full title original language:

This document is associated with the following core document: uk_1886

Commentary: No commentaries for this record.


Related documents in this database:
1880: Anglo-Spanish Bilateral Copyright Treaty
1886: International Copyright Act
1886: Correspondence respecting the Copyright Union
1886: Berne Convention

Author: N/A

Publisher: N/A

Year: 1886

Location: London

Language: English

Source: ProQuest: Parliamentary Papers (1886) Paper No.156, II.539

Persons referred to:
Acland, Sir Thomas Dyke, 11th Baronet
Bryce, James, 1st Viscount
Kay-Shuttleworth, Sir Ughtred James, 1st Baron Shuttleworth
Morgan, Sir George Osborne, 1st Baronet
Mundella, Anthony John

Places referred to:

Cases referred to:

Institutions referred to:

Berne Convention 1886
Copyright Act, 1775, 15 Geo.III, c.53
Copyright Act, 1836, 6 & 7 Will.IV, c.110
Copyright Amendment Act, 1842, 5 & 6 Vict., c.45
Dramatic Literary Property Act, 1833, 3 & 4 Will.IV, c.15
Engravers' Copyright Act, 1735, 8 Geo.II, c.13
Engravers' Copyright Act, 1766, 7 Geo.III, c.38
Engravers' Copyright Act, 1777, 17 Geo.III, c.57
Fine Art Copyright Act, 1862, 25 & 26 Vict., c.68
Foreign Reprints Act, 1847, 10 & 11 Vict., c.95
International Copyright Act, 1844, 7 & 8 Vict., c.12
International Copyright Act, 1852, 15 & 16 Vict., c.12
International Copyright Act, 1875, 38 & 39 Vict., c.12
Publication of Lectures Act, 1835, 5 & 6 Will.IV, c.65
Sculpture Copyright Act, 1814, 54 Geo.III, c.56

books, protected subject matter
dramatic works, protected subject matter
engravings, protected subject matter
international agreements, Berne Convention
music, protected subject matter
paintings, protected subject matter
photography, protected subject matter
posthumous works
public performance
translation, right of
translations, protection of

Responsible editor: Ronan Deazley

Copyright History resource developed in partnership with:

Our Partners

Copyright statement

You may copy and distribute the translations and commentaries in this resource, or parts of such translations and commentaries, in any medium, for non-commercial purposes as long as the authorship of the commentaries and translations is acknowledged, and you indicate the source as Bently & Kretschmer (eds), Primary Sources on Copyright (1450-1900) (

You may not publish these documents for any commercial purposes, including charging a fee for providing access to these documents via a network. This licence does not affect your statutory rights of fair dealing.

Although the original documents in this database are in the public domain, we are unable to grant you the right to reproduce or duplicate some of these documents in so far as the images or scans are protected by copyright or we have only been able to reproduce them here by giving contractual undertakings. For the status of any particular images, please consult the information relating to copyright in the bibliographic records.

Primary Sources on Copyright (1450-1900) is co-published by Faculty of Law, University of Cambridge, 10 West Road, Cambridge CB3 9DZ, UK and CREATe, School of Law, University of Glasgow, 10 The Square, Glasgow G12 8QQ, UK