PRIMARY SOURCES

ON COPYRIGHT

(1450-1900)

Artistic Copyright Bill, London, London (1899)

Source: Cambridge University Library

Citation:
Artistic Copyright Bill, London, London (1899), Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org

Back | Record | Images | No Commentaries
Record-ID: uk_1899

Permanent link: https://www.copyrighthistory.org/cam/tools/request/showRecord.php?id=record_uk_1899

Full title:
Copyright (Artistic) Bill 1899; P.P. 1899 HL Bill 45

Full title original language:
N/A

Abstract:
The Artistic Copyright Bill 1899, presented to the House of Lords by Lord Monkswell, originated with the initiative of the St John’s Wood Arts Club (an artists’ group led by Lawrence Alma-Tadema RA) and the Royal Academy of Arts, advised by the barrister Thomas E. Scrutton. Interesting aspects of the Royal Academy’s proposals are the separate treatment of photographs and ‘casts from nature’ from ‘original works of fine art’, which pervades substantive clauses of the Bill, restrictions on painters producing ‘replicas’ (cl.7(4) and cl.26), and also extensive protection for the owner of the physical painting in the case of commissioned portraits (cl.5).

Commentary: No commentaries for this record.

Bibliography:
  • Cooper, E., Art and Modern Copyright: The Contested Image (Cambridge: Cambridge University Press, 2018) p.69, p.p.80-94, p.p.152-154


Related documents in this database:

Author: N/A

Publisher: N/A

Year:
1899

Location: London

Language: N/A

Source: Cambridge University Library

Persons referred to:
Lord Monkswell
Victoria

Places referred to:
British Dominions
England
Ireland
Scotland
United States of America

Cases referred to:
Hanfstaengl v. Empire Palace (1894) 2 Ch. 109, (1895) AC 20

Institutions referred to:
High Court
House of Lords
Stationers’ Hall

Legislation:
N/A

Keywords:
Art
Casts from Nature
Collectors
Engraving
Lord Monkswell
Lord Thring
Painting
Photographs
Portraits
Repetitions
Replicas
Sculpture
Sitters

Responsible editor: Elena Cooper



Copyright History resource developed in partnership with:


Our Partners


Copyright statement

You may copy and distribute the translations and commentaries in this resource, or parts of such translations and commentaries, in any medium, for non-commercial purposes as long as the authorship of the commentaries and translations is acknowledged, and you indicate the source as Bently & Kretschmer (eds), Primary Sources on Copyright (1450-1900) (www.copyrighthistory.org).

With the exception of commentaries that are available under a CC-BY licence (compliant with UKRI policy) you may not publish individual documents or parts of the database for any commercial purposes, including charging a fee for providing access to these documents via a network. This licence does not affect your statutory rights of fair dealing.

Although the original documents in this database are in the public domain, we are unable to grant you the right to reproduce or duplicate some of these documents in so far as the images or scans are protected by copyright or we have only been able to reproduce them here by giving contractual undertakings. For the status of any particular images, please consult the information relating to copyright in the bibliographic records.


Primary Sources on Copyright (1450-1900) is co-published by Faculty of Law, University of Cambridge, 10 West Road, Cambridge CB3 9DZ, UK and CREATe, School of Law, University of Glasgow, 10 The Square, Glasgow G12 8QQ, UK