PRIMARY SOURCES

ON COPYRIGHT

(1450-1900)

Fine Art Copyright Bill, London (1861)

Source: ProQuest: Parliamentary Papers (1861) Paper No.104, I.519-532

Citation:
Fine Art Copyright Bill, London (1861), Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org

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Record-ID: uk_1861

Permanent link: https://www.copyrighthistory.org/cam/tools/request/showRecord.php?id=record_uk_1861

Full title:
Bill for amending Law relating to Copyright in Works of Fine Art, 1861, Paper No.104, I.519-532

Full title original language:
N/A

Abstract:
N/A

Commentary: No commentaries for this record.

Bibliography:
  • This document is associated with the following core document: uk_1862


Related documents in this database:
1853: Blaine's Laws of Artistic Copyright
1858: Report of the Artistic Copyright Committee
1861: Parliamentary Debates on the Fine Art Copyright Bill (6 May)
1862: Fine Art Copyright Act
1862: Parliamentary Debates on the Fine Art Copyright Act (28 Feb.)
1862: Parliamentary Debates on the Fine Art Copyright Act (6 March)
1862: Parliamentary Debates on the Fine Art Copyright Act (20 March)
1862: Parliamentary Debates on the Fine Art Copyright Act (31 March)
1862: Parliamentary Debates on the Fine Art Copyright Act (22 May)
1862: Parliamentary Debates on the Fine Art Copyright Act (23 May)
1862: Parliamentary Debates on the Fine Art Copyright Act (5 June)
1862: Parliamentary Debates on the Fine Art Copyright Act (24 July)
1862: Fine Art Copyright Bill (27 Feb.)
1862: Fine Art Copyright Bill (20 March)

Author: N/A

Publisher: N/A

Year: 1861

Location: London

Language: English

Source: ProQuest: Parliamentary Papers (1861) Paper No.104, I.519-532

Persons referred to:
Atherton, Sir William
Bethell, Richard, 1st Baron Westbury
Lewis, Sir George Cornwall
Massey, William Nathaniel
Victoria

Places referred to:
Channel Islands
England
Ireland
Isle of Man
Scotland

Cases referred to:
N/A

Institutions referred to:
Court of Sessions, Scotland
House of Commons
Parliament

Legislation:
Anglo-French Copyright Treaty 1851
Copyright in Prints and Engravings (Ireland) Act, 1836, 6 & 7 Will.IV, c.59
Copyright of Designs (Amendment) Act, 1843, 6 & 7 Vict., c.65
Copyright of Designs Act, 1842, 5 & 6 Vict., c.100
Copyright of Designs Act, 1850, 13 & 14 Vict., c.104
Engravers' Copyright Act, 1735, 8 Geo.II, c.13
Engravers' Copyright Act, 1766, 7 Geo.III, c.38
Engravers' Copyright Act, 1777, 17 Geo.III, c.57
International Copyright Act, 1844, 7 & 8 Vict., c.12
International Copyright Act, 1852, 15 & 16 Vict., c.12
Models and Busts Act, 1798, 38 Geo.III, c.71
Sculpture Copyright Act, 1814, 54 Geo.III, c.56

Keywords:
architecture, protected subject matter
authorship, legal concept of
copy
drawings, protected subject matter
duration, post mortem term
engravings, protected subject matter
forgery
fraud
imitation
paintings, protected subject matter
penalties, paid to author(s)
photography, protected subject matter
replica
sculpture, protected subject matter

Responsible editor: Ronan Deazley



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Primary Sources on Copyright (1450-1900) is co-published by Faculty of Law, University of Cambridge, 10 West Road, Cambridge CB3 9DZ, UK and CREATe, School of Law, University of Glasgow, 10 The Square, Glasgow G12 8QQ, UK